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sadie bridger

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sadie bridger

  • ARTWORK
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PORTRAITS

1984 – 1990

While living in the South, I felt an unspoken code of conduct that existed between black and white culture. We lived close together and interacted frequently but weren't supposed to know one another as full people. My camera was a gateway into black culture, and taking pictures became a way for me to interact. These photographs suggest that these "others" are exactly the same as "us" — that despite the appearance of difference, their hopes and cares, both ordinary and profound, are identical to ours.

silver print 8 x 10 inches

 

PORTRAITS

1984 – 1990

While living in the South, I felt an unspoken code of conduct that existed between black and white culture. We lived close together and interacted frequently but weren't supposed to know one another as full people. My camera was a gateway into black culture, and taking pictures became a way for me to interact. These photographs suggest that these "others" are exactly the same as "us" — that despite the appearance of difference, their hopes and cares, both ordinary and profound, are identical to ours.

silver print 8 x 10 inches

 

Mamie Freeman

Mamie Freeman

Child Tending

Child Tending

Cathy McDay

Cathy McDay

Jessie Barbour

Jessie Barbour

The Churchgoer

The Churchgoer

Bertha Tucker

Bertha Tucker

Neighbors

Neighbors

Ethyl Daniels

Ethyl Daniels

Vernon Shaw

Vernon Shaw

King for a Day

King for a Day

John Henry Williams

John Henry Williams

Buddy Fox

Buddy Fox

Felicia Mangum

Felicia Mangum

Watermelon Fever

Watermelon Fever

all content © Sadie Bridger 2024